Iowans for LIFE doesn’t typically get involved with Medicare discussions. Now it’s necessary to comment in light of a growing swath of left-leaning politicians calling for Medicare for All.
The proposed legislation is shocking.
Mandated taxpayer funded abortions
The language of the law, which is sponsored by Representative Pramila Jayapal (D., Wash.), states:
“Individuals enrolled for benefits under this Act are entitled to have payment made by the Secretary to an eligible provider for . . . comprehensive reproductive, maternity, and newborn care,”
‘Comprehensive reproductive’ care are code words for human abortion. Medicare for all is being championed by Democratic torchbearers Bernie Sanders, Pete Buttigieg, Cory Booker, Kamala Harris, Elizabeth Warren, and Kirsten Gillibrand. When Democrats retook the levers of power in 2008 with filibuster-proof majorities, the first thing they did was pass Obamacare and impose HSA mandates on the country.
If they retake control in 2020, Medicare for All will be at the top of their bucket list.
The end of abortion regulation at the state level
As recently as the 1990s, Democrats espoused that abortion should be “safe, legal, but rare.” That has been replaced with “shout your abortion.” Medicare for All would end all abortion restrictions, as you can see in the language of the bill:
“Any other provision of law in effect on the date of enactment of this Act restricting the use of Federal funds for any reproductive health service shall not apply to monies in the Trust Fund.”
Abortion has been on the decline for years, thanks to the yeoman efforts of the pro life movement. Medicare for all would ensure the end of this trend.
Catholic doctors and hospitals lose their conscience protections
The language of the bill is intolerant of those who oppose abortion on moral grounds:
“Items and services to eligible persons shall be furnished by the provider without discrimination.”
Medicare for all is a partisan abomination.
For secular pro lifers who embrace scientific proof that a unique human life begins at fertilization, Medicare for All violates the norms of decency.
For Protestant pro lifers who believe God made us in His image in a spirit of sonship, Medicare for All violates the Commandment, “Thou shall not commit murder.”
For Roman Catholics, Medicare for All is a demonic prescription for a spread of mortal sin.
The Medicare for All debate comes on the heals of the 19th rejection of Born Alive legislation by House Democrats.
Let’s be honest: Democrats aren’t pro life, they are pro death. Medicare for All would transform America into a mecca for evil.
[Tom Quiner is president of Iowans for LIFE’S Board of Directors. Support a culture of life in Iowa. Donate to IFL today.]
By Tom Quiner
Integrating God and faith into movies doesn’t always work.
Sometimes, directors who are ardent believers try so hard to convey their fervor that the audience feels like they’ve been clubbed over the head. Other times, a director of little or no faith is able to convey a timeless story of faith with such an exquisite, artistic touch that you’re convinced of his devoutness.
The Holy Spirit works mysteriously in the realm of cinema. The films that follow moved me, entertained me, and conveyed a message of faith that meant something to me.
My list of favorites evolves from year to year. The films that follow are artistic, nuanced with great scripts. The Gospel of John (#2) is unique because the script is based verbatim on the Gospel of John. Christopher Plummer’s voice is perfect as the narrator. Interestingly, the versatile Mr. Plummer appears in two other films on the list (“The Scarlet and the Black”) as a Nazi, the antagonist of the Vatican, and “Jesus of Nazareth” as the spineless Herod.
I have bounced a few golden oldies from my list, such as Ben-Hur and The Ten Commandments, simply because I’ve seen them enough times that I’m a little tired of them.
I sincerely believe you will enjoy these films. Let me know your favorites.
#10: PAUL, APOSTLE OF CHRIST. Andrew Hyatt, the writer and director of this film, made a smart move. He focused on just the last few months of St. Paul’s life when he was imprisoned in Rome awaiting execution. The compressed time line heightens the drama of Paul’s plight, and that of the early Christians.The movie is told through the lens of St. Luke, the Evangelist, as he writes what later became known as The Acts of the Apostles. Jim Caviezel, of The Passion of the Christ fame, returns as St. Luke. I really liked the way the director deals with Paul’s guilt of being a persecutor of Christians. I also liked the way he resolved a conflict between Luke and the prefect of the Roman prison, Mauritius Gallus. A lesser director would have taken a more predictable route. It’s been a year since I saw it, but the scene of Christians on the verge of being torn apart in the arena by wild animals, sticks with me. Luke’s speech is beautiful. This is a movie worth watching this Lent.
#9: THE MISSION. This film was written by Robert Bolt. It follows the lives of 18th century Jesuit missionaries in South America. Jeremy Irons and Robert Deniro turn in riveting performances as two very different priests. Their relationship is beautiful and complex. Ennio Morricone wrote one of the great musical scores of all time. The theme song all by itself is enough to make a doubter believe in God. (Mr. Morricone also wrote the film score for “The Scarlet and the Black,” #6 on my list.
#8: THE CASE FOR CHRIST. I loved the book upon which this movie is based, and I loved the premise: Lee Strobel is an awarding investigative journalist for the Chicago Tribune. He and his wife are comfortable living their lives as atheists until their daughter almost dies. Strobel’s wife becomes a Christian to his considerable chagrin. He sets out to disprove the resurrection of Christ, and it’s a fascinating journey. This is a good movie for people of little or no faith, because Strobel approaches his task as an investigative journalist with shocking results. The movie is simply excellent. I encourage you to watch it this Lent.
#7: RISEN. “Risen” approaches the Jesus narrative from an entirely fresh perspective. Joseph Fiennes, who you may remember from “Young Shakespeare in Love,” portrays the powerful Roman centurion, Clavius, at the time of Christ. He returns from battle only to be immediately deployed by Pontius Pilate to the site of three crucifixions in progress. One is Jesus. Clavius looks directly into the dead eyes of Jesus (a unique twist, Jesus’ eyes are typically depicted as being shut) as He hangs on the cross. To ensure that He is dead, he commands a soldier to lance His side. When the corpse goes missing from a sealed tomb the next, day, Pilate orders Clavius to find it. What a mystery! Clavius’ investigation takes him on a journey he never expected. The casting was outstanding with the great Peter Firth as a convincing Pontius Pilate, young Tom Felton (Malfoy in Harry Potter films) as Lucius, aide to Clavius; and Cliff Curtis as an effective, if unconventional Yeshua (Jesus). Maria Botto made a great Mary Magdalene.
#6: THE SCARLET AND THE BLACK. Get ready for a tense game of cat and mouse as a Vatican priest and a German Lieutenant Colonel clash in Nazi-occupied Rome. This film is based on true events. Gregory Peck portrays Monsignor Hugh O’Flaherty who heroically saved the lives of thousands of Jews and escaped Allied POWs by hiding them from the Nazis. Christopher Plummer portrays the Nazi officer in charge of rounding them up. The battle of wits between the two antagonists makes for great cinema, especially in the hands of two pros like Messrs. Peck and Plummer. Be sure to watch the ending credits for the remarkable epilogue to this great story!
#5: THE CHRONICLES of NARNIA: THE LION, WITCH, and the WARDROBE. C.S. Lewis wrote one of the most beloved set of children stories ever with the Chronicles of Narnia. This 2005 film is simply magical with Liam Neeson’s voice as Aslan the Christlike Lion. I went to the theater to watch it with my kids who ranged from their teens to the twenties at the time. This is a film that brings families together. It reaches across age barriers.
#4. LES MISERABLES (The Musical). “Do you hear the people sing, singing the songs of angry men?” That line makes me think of the seething passions roiling in America as I type. This is a movie about the human condition and the drama of human life in an unjust world. The themes are as immediately relevant today as they were in the 19th century France as depicted by Victor Hugo in his classic novel on which it is based. The protagonists, Jean Valjean and Inspector Javert, each rely on God in remarkably contrasting ways, leading to a dramatic denouement. This is a remarkable musical. The actors sang their parts ‘live,’ creating such a sense of authenticity. In other words, they didn’t dub in their singing later. I love this musical and have seen it on stage some five times, including twice on Broadway. Kudos to director Tom Hooper for creating a film that lived up to the musical by presenting the complexity of our Christian faith.
#3: THE PASSION of the CHRIST. This was more than a movie, it was an event that either united or divided people, much like Christ Himself. Mel Gibson’s movie was controversial. The violence is grotesque. It is not a fun movie to watch. I have seen it twice, and I will see it again … someday. Jim Caviezel was perfect as Jesus. The movie is important because it gives modern man an inkling of what Christ did for us. I heard Fr. John Riccardo once say about Christ’s cruxifixion: “If this is the cure, can you imagine the disease?” This movie forces us to think about that question seriously. The scene of Christ’s scourging is horrendous. Do you know why He was lashed 39 times? Because 40 was considered “death” by the Romans. It was unsurvivable. I would recommend the edited version with some of the violence excised. After watching this film, fall to your knees and thank Christ for what He did for us.
#2: THE GOSPEL of JOHN: This is a unique film. It utilizes the exact text of the Gospel of John as it presents this beautiful slice of sacred scripture dramatically. Christopher Plummer’s narration is exquisite. Henry Ian Cusick makes a wonderful Jesus. I love this film and have seen it three times. In fact, I’ll watch it again in the next few weeks. This is what movie-making is all about, to take an important subject and present it beautifully, artistically, and theatrically while remaining true to the material. The Gospel of John does all of that and more. I love the way the Woman at the Well is handled. There are two versions: be sure to watch the long one, which is 3 hours. The two hour version leaves out too much.
#1: JESUS of NAZARETH. Nothing touches this film. It is the best Jesus film. It is the best Christian film. And it is the best religious film. Ever. Robert Powell is the best Jesus ever, even better than Jim Caviezel and Henry Ian Cusick. This film was a 382 minute mini series on television in 1977. Every single minute of this film is worth it. Nothing is wasted. Director Franco Zeffirelli has created an artistic masterpiece. He is true to the Gospels and creates an ancient Holy Land that seems real to modern man. His presentation of Jesus’ telling of the Prodigal Son is a work of genius, surely inspired by the Holy Spirit! Interestingly, one of the writers was Anthony Burgess, also the author of “A Clockwork Orange.” What a cast. Each star was at the top of their game. In addition to Mr. Powell, James Farantino was a Peter for the ages. Ian McShane was a complex Judas whose motivations are slowly revealed in his deft political maneuverings. Olivia Hussey as the Virgin Mary, and Anne Bancroft as Mary Magdalene both shine. The list is endless: Christopher Plummer fleshes out the human weakness of Herod Antipas. You can’t stand him in the end. And James Mason brings Joseph of Arimathea to life. The conversation he has with Jesus about the idea of being “born again” draws you irresistibly into the essence of the Gospels. That’s why this film is so good. You feel like you’re walking right alongside of Jesus. Everything seems so authentic.
Those are my picks. What are yours? Please let me know. I want to watch some great, new faith-filled films this Lent, starting today. So let me know your favorites right away!
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